Works Cited

  • Gooch, Joshua. “Making a Go of It: Paternity and Prohibition in the Films of Wes       Anderson.” Cinema Journal 47.1 (2007): 26-48. Web.                                   <http://www.academia.edu/3245608/Making_a_Go_of_It_Paternity_and_Prohibition_in_the_Films_of_Wes_Anderson>.

 

  • Phipps, Keith. “Keynote: The Royal Tenenbaums and Wes Anderson’s Family Values.” The Dissolve. Pitchfork Media Inc., 4 Mar. 2014. Web. 27 Apr. 2017. <https://thedissolve.com/features/movie-of-the-week/447-the-royal-tenenbaums-wes-andersons-family-values/>.

 

  • Robé, Chris. “‘Because I Hate Fathers, and I Never Wanted to Be One’: Wes Anderson, Entitled Masculinity, and the ‘Crisis’ of the Patriarch.” Millennial Masculinity: Men in Contemporary American Cinema., Timothy Shary and Timothy, (Ed) Shary, Wayne State University Press, 2013, pp. 101-121. Contemporary approaches to film and media series. EBSCOhost, libgateway.susqu.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=psyh&AN=2013-00084-005&site=ehost-live.

 

  • The Royal Tenenbaums. Wes Anderson. Touchstone Pictures, 2001. Film.

 

  • Turner, Daniel Cross. “The American Family (Film) in Retro: Nostalgia as Mode in Wes Anderson’s the Royal Tenenbaums.” Violating Time: History, Memory, and Nostalgia in Cinema, Christina (ed. and introd.) Lee, Continuum, 2008, pp. 159-176. EBSCOhost, libgateway.susqu.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2009441599&site=eds-live&scope=site.