Super Pumped: The Battle for Uber by Mike Isaac

In June 2017, Travis Kalanick, the hard-charging CEO of Uber, was ousted in a boardroom coup that capped a brutal year for the transportation giant. Uber had catapulted to the top of the tech world, yet for many came to symbolize everything wrong with Silicon Valley.
Award-winning New York Times technology correspondent Mike Isaac’s Super Pumped presents the dramatic rise and fall of Uber, set against an era of rapid upheaval in Silicon Valley. Backed by billions in venture capital dollars and led by a brash and ambitious founder, Uber promised to revolutionize the way we move people and goods through the world. A near instant “unicorn,” Uber seemed poised to take its place next to Amazon, Apple, and Google as a technology giant.
What followed would become a corporate cautionary tale about the perils of startup culture and a vivid example of how blind worship of startup founders can go wildly wrong. Isaac recounts Uber’s pitched battles with taxi unions and drivers, the company’s toxic internal culture, and the bare-knuckle tactics it devised to overcome obstacles in its quest for dominance. With billions of dollars at stake, Isaac shows how venture capitalists asserted their power and seized control of the startup as it fought its way toward its fateful IPO.
Based on hundreds of interviews with current and former Uber employees, along with previously unpublished documents, Super Pumped is a page-turning story of ambition and deception, obscene wealth, and bad behavior that explores how blistering technological and financial innovation culminated in one of the most catastrophic twelve-month periods in American corporate history.

The Glass Woman by Caroline Lea

Rósa has always dreamed of living a simple life alongside her Mamma in their remote village in Iceland, where she prays to the Christian God aloud during the day, whispering enchantments to the old gods alone at night. But after her father dies abruptly and her Mamma becomes ill, Rósa marries herself off to a visiting trader in exchange for a dowry, despite rumors of mysterious circumstances surrounding his first wife’s death.
Rósa follows her new husband, Jón, across the treacherous countryside to his remote home near the sea. There Jón works the field during the day, expecting Rósa to maintain their house in his absence with the deference of a good Christian wife. What Rósa did not anticipate was the fierce loneliness she would feel in her new home, where Jón forbids her from interacting with the locals in the nearby settlement and barely speaks to her himself.
Seclusion from the outside world isn’t the only troubling aspect of her new life—Rósa is also forbidden from going into Jón’s attic. When Rósa begins to hear strange noises from upstairs, she turns to the local woman in an attempt to find solace. But the villager’s words are even more troubling—confirming many of the rumors about Jón’s first wife, Anna, including that he buried her body alone in the middle of the night.
Rósa’s isolation begins to play tricks on her mind: What—or who—is in the attic? What happened to Anna? Was she mad, a witch, or just a victim of Jón’s ruthless nature? And when Jón is brutally maimed in an accident a series of events are set in motion that will force Rósa to choose between obedience and defiance—with her own survival and the safety of the ones she loves hanging in the balance.

Grand Union Stories by Zadie Smith

Zadie Smith has established herself as one of the most iconic, critically respected, and popular writers of her generation. In her first short story collection, she combines her power of observation and her inimitable voice to mine the fraught and complex experience of life in the modern world. Interleaving eleven completely new and unpublished stories with some of her best-loved pieces from TheNew Yorker and elsewhere, Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us.
Nothing is off limits, and everything—when captured by Smith’s brilliant gaze—feels fresh and relevant. Perfectly paced and utterly original, Grand Union highlights the wonders Zadie Smith can do.

Aliens in the Prime of Their Lives by Brad Watson

“Of all [this] story’s wonders, to me the most sublime is the unlikely residual radiance of nobility that clings to its human characters,” writes Deborah Eisenberg, author of The Collected Stories of Deborah Eisenberg, in her introduction to this issue of Recommended Reading. “It’s obvious that the particular aliens who infiltrate these pages far outweigh us in brains, skills, and poise—they certainly are in the prime of their lives! And yet rarely have our human qualities of sorrow, ineptitude, longing, regret, and their preposterous adjunct, hope, seemed so precious as they do here.”

Unfollow by Megan Phelps-Roper

It was an upbringing in many ways normal. A loving home, shared with squabbling siblings, overseen by devoted parents. Yet in other ways it was the precise opposite: a revolving door of TV camera crews and documentary makers, a world of extreme discipline, of siblings vanishing in the night.
Megan Phelps-Roper was raised in the Westboro Baptist Church – the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church’s invective via social media, her formative years brought their difficulties. But being reviled was not one of them. She was preaching God’s truth. She was, in her words, ‘all in’.
In November 2012, at the age of twenty-six, she left the church, her family, and her life behind.
Unfollow is a story about the rarest thing of all: a person changing their mind. It is a fascinating insight into a closed world of extreme belief, a biography of a complex family, and a hope-inspiring memoir of a young woman finding the courage to find compassion for others, as well as herself.

The Secrets We Kept by Lara Prescott

A thrilling tale of secretaries turned spies, of love and duty, and of sacrifice–inspired by the true story of the CIA plot to infiltrate the hearts and minds of Soviet Russia, not with propaganda, but with the greatest love story of the twentieth century: Doctor Zhivago.
At the height of the Cold War, two secretaries are pulled out of the typing pool at the CIA and given the assignment of a lifetime. Their mission: to smuggle Doctor Zhivago out of the USSR, where no one dare publish it, and help Pasternak’s magnum opus make its way into print around the world. Glamorous and sophisticated Sally Forrester is a seasoned spy who has honed her gift for deceit all over the world–using her magnetism and charm to pry secrets out of powerful men. Irina is a complete novice, and under Sally’s tutelage quickly learns how to blend in, make drops, and invisibly ferry classified documents.
The Secrets We Kept combines a legendary literary love story–the decades-long affair between Pasternak and his mistress and muse, Olga Ivinskaya, who was sent to the Gulag and inspired Zhivago’s heroine, Lara–with a narrative about two women empowered to lead lives of extraordinary intrigue and risk. From Pasternak’s country estate outside Moscow to the brutalities of the Gulag, from Washington, D.C. to Paris and Milan, The Secrets We Kept captures a watershed moment in the history of literature–told with soaring emotional intensity and captivating historical detail. And at the center of this unforgettable debut is the powerful belief that a piece of art can change the world.

Victor LaValle’s Destroyer illustrated by Dietrich Smith

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The legacy of Frankenstein’s monster collides with the sociopolitical tensions of the present-day United States.
Mary Shelley’s Frankenstein beseeched his creator for love and companionship, but in 2017, the monster has long discarded any notions of peace or inclusion. He has become the Destroyer, his only goal to eliminate the scourge of humanity from the planet. In this goal, he initially finds a willing partner in Dr. Baker, a descendant of the Frankenstein family who has lost her teenage son after an encounter with the police. While two scientists, Percy and Byron, initially believe they’re brought to protect Dr. Baker from the monster, they soon realize they may have to protect the world from the monster and Dr. Baker’s wrath.
Written by lauded novelist Victor LaValle (The Devil In Silver, The Ballad of Black Tom), Destroyer is a harrowing tale exploring the legacies of love, loss, and vengeance placed firmly in the tense atmosphere and current events of the modern-day United States.

Here by Richard McGuire

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From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.
(With full-color illustrations throughout.)

Riots I Have Known by Ryan Chapman

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An unnamed Sri Lankan inmate has barricaded himself inside a prison computer lab in Dutchess County, New York. A riot rages outside, incited by a poem published in The Holding Pen, the house literary journal. This, our narrator’s final Editor’s Letter, is his confession. An official accounting of events, as they happened.
As he awaits imminent and violent interruption, he takes us on a roller coaster ride of plot and language, determined to share his life story, and maybe answer a few questions. How did he end up here? Should he have remained a quiet Park Avenue doorman? Or continued his rise in the black markets of postwar Sri Lanka? What will become of The Holding Pen, a “masterpiece of post-penal literature” favored by Brooklynites everywhere? And why does everyone think the riots are his fault? Can’t they see he’s really a good guy, doing it for the right reasons?
Smart, wry, and laugh-out-loud funny, Ryan Chapman’s Riots I Have Known is an utter gem—an approachable send-up that packs a punch. Alexandra Kleeman, author of You Too Can Have a Body Like Mine, says, “Ryan Chapman has written a rocket-powered ode to literary creation and mass incarceration. Weaving satire and seriousness into a singularly rambunctious monologue, Riots I Have Known is a breath of fresh air.”

Unterzakhn by Leela Corman

A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.This image has an empty alt attribute; its file name is IMG_9183-500x500.jpg
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing the sights and sounds of a neighborhood of struggling immigrants; as teenagers taking their own tentative steps into the wider world (Esther working for a woman who runs both a burlesque theater and a whorehouse, Fanya for an obstetrician who also performs illegal abortions); and, finally, as adults battling for their own piece of the “golden land,” where the difference between just barely surviving and triumphantly succeeding involves, for each of them, painful decisions that will have unavoidably tragic repercussions.

Metropolitan Stories by Christine Coulson

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From a writer who worked at the Metropolitan Museum for more than twenty-five years, an enchanting novel that shows us the Met that the public doesn’t see.
Hidden behind the Picassos and Vermeers, the Temple of Dendur and the American Wing, exists another world: the hallways and offices, conservation studios, storerooms, and cafeteria that are home to the museum’s devoted and peculiar staff of 2,200 people—along with a few ghosts.
A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.