Eleanor Oliphant is Completely Fine by Gail Honeyman
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy.
But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen on the sidewalk, the three become the kinds of friends who rescue one another from the lives of isolation they have each been living. And it is Raymond’s big heart that will ultimately help Eleanor find the way to repair her own profoundly damaged one.
Soon to be a major motion picture produced by Reese Witherspoon, Eleanor Oliphant Is Completely Fine is the smart, warm, and uplifting story of an out-of-the-ordinary heroine whose deadpan weirdness and unconscious wit make for an irresistible journey as she realizes. . .
The only way to survive is to open your heart.
Mr. Flood’s Last Resort by Jess Kidd
Maud Drennan is a dedicated caregiver whose sunny disposition masks a deep sadness. A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.
Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.
Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins. Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.
Compass by Mathias Enard
As night falls over Vienna, Franz Ritter, an insomniac musicologist, takes to his sickbed with an unspecified illness and spends a restless night drifting between dreams and memories, revisiting the important chapters of his life: his ongoing fascination with the Middle East and his numerous travels to Istanbul, Aleppo, Damascus, and Tehran, as well as the various writers, artists, musicians, academics, orientalists, and explorers who populate this vast dreamscape. At the center of these memories is his elusive, unrequited love, Sarah, a fiercely intelligent French scholar caught in the intricate tension between Europe and the Middle East.
With exhilarating prose and sweeping erudition, Mathias Énard pulls astonishing elements from disparate sources―nineteenth-century composers and esoteric orientalists, Balzac and Agatha Christie―and binds them together in a most magical way.
The Only Girl in the World by Maude Julien
Maude Julien’s parents were fanatics who believed it was their sacred duty to turn her into the ultimate survivor–raising her in isolation, tyrannizing her childhood and subjecting her to endless drills designed to “eliminate weakness.” Maude learned to hold an electric fence for minutes without flinching, and to sit perfectly still in a rat-infested cellar all night long (her mother sewed bells onto her clothes that would give her away if she moved). She endured a life without heat, hot water, adequate food, friendship, or any kind of affectionate treatment.
But Maude’s parents could not rule her inner life. Befriending the animals on the lonely estate as well as the characters in the novels she read in secret, young Maude nurtured in herself the compassion and love that her parents forbid as weak. And when, after more than a decade, an outsider managed to penetrate her family’s paranoid world, Maude seized her opportunity.
By turns horrifying and magical, The Only Girl in the World is a story that will grip you from the first page and leave you spellbound, a chilling exploration of psychological control that ends with a glorious escape.
The Mars Room by Rachel Kushner
From twice National Book Award–nominated Rachel Kushner, whose Flamethrowers was called “the best, most brazen, most interesting book of the year” (Kathryn Schulz, New York magazine), comes a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America.
It’s 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision.
Stunning and unsentimental, The Mars Room demonstrates new levels of mastery and depth in Kushner’s work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in The New Yorker, her fiction “succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive.”
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